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- What we will become
- Come, see real flowers of this painful world
- Walden: or, life in the woods VOL02
- When you invent the ship, you also invent the shipwreck
- Possibilities Of The Future – Realities From The Past
- 42nd and Vanderbilt
- The Imperfect Atlas
- Last Flight
- Studies of Last Flight
- Babel Tales
- Babel Tales Studies
- Roadside Picnic #3
- Amsterdam Stories
- Danish Diaries
- After 911
- Books
- The Imperfect Atlas featured in New Danish Photography 02
- Tomorrow and Tomorrow and Tomorrow – Monograph
- Walden: or, life in the woods VOL02 – Monograph
- Catalog for The Imperfect Atlas at Fotografisk Center
- Aware
- The Imperfect Atlas in OMNE / INDEX NATURAE REVISITED- AAVV
- When you invent the ship, you invent the shipwreck – Monograph
- The Imperfect Atlas – Scarti di Avviamento – Monograph
- The Imperfect Atlas – Monograph
- 42nd and Vanderbilt – Monograph
- Studies Of Last Flight – Monograph
- Street Life Photography
- 25 Years of Fotografisk Center
- The Camera and Us
- PhotoViz
- The World Atlas Of Street Photography
- Street Photography Now
- New York: A Photographer’s City
- Web Design Portfolios 2005
- Et andet sted hen
- Collaborations
- There is a bit of Volvo in every car
- Bag To Rule Them All – IKEA
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- Being a woman shouldn’t be a risk.. AXA
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- New York Magazine 50 Years
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- Sony – Colour like no other
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What We Will Become is a photographic exploration of the faces of workers across France, photographed within the sites and gestures that define their daily labour and craft.
Inspired by the seminal photographer August Sander who created a monumental body of work, “The People of the Twentieth Century”, that attempted to map German society through an extensive series of portraits, recording the powerful changes made through the technological advances of his time.
Now with AI right in front of us, Craft and Labour will become something very different,
With the use of repetition, return, and precise observation, a contemporary typology develops, as well as an acknowledgement of both vulnerability and continuity, this series works as an act of recognition, foregrounding the presence of those whose contributions quietly sustain the fabric of the city in a world where AI, robotics and humans intersect.
An archive of our present in transition.

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Rooted in the ongoing research behind The Imperfect Atlas and expanded through his platform @come_see_real_flowers, this series considers flowers as both natural specimens and cultural artefacts.

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The series consists of large format black & white photographs, shot inside bunkers built along the european west coast.

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In his newest series, Imperfect Atlas, Funch addresses time and its passage on multiple levels…

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In his newest series, Imperfect Atlas, Funch addresses time and its passage on multiple levels…

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25 years survey – a group show.

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25 years survey – a group show.

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juxtaposing Babel Tales (2006 – 2011), Last Flight (2012 – 2014), 42nd And Vanderbilt (2007 – 2016), And The Imperfect Atlas (2013 – 2019).

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Installation views from Solo shows, Group show, Museums, Photobiennale, Biennale, Photo festivals, Paris Photo, Art Fairs, V1 Gallery.

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In his newest series, Imperfect Atlas, Funch addresses time and its passage on multiple levels…

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Peter Funch’s Last Flight is a photographic series based around an event. That event is the demolition of…

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Portraits of individuals around ground zero in the days following 9/11

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essay by Zadie Smith

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Between 8:30 am and 9:30 am, from 2007 to 2016, at the southern corner of 42nd street and vanderbilt…

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Babel Tales is a series of works that focus on human relations (or the lack thereof) in big cities…